Menschen, die an einer Psychose erkrankt sind, müssen mit Vorurteilen kämpfen: Sie seien unzurechnungsfähig und gewalttätig. Die Berliner. Oft sind die Täter selbst traumatisiert, wie etwa Norman Bates in „Psycho“ (Regie: Alfred Hitchcock, ). Manchmal verschwimmen im Spielfilm. Christoph erzählt über seine Krisen, den Umgang mit sich anbahnenden Psychosen und das ganz normale Leben. Luigi, der in einem Wohnheim wohnt.
Raum 4070 - Psychosen verstehenFür die Thematisierung der Psychose im Film ist sicher Hitch- cocks»Psycho«() ein signifikantes cineastisches Ereignis, aber auch die Filme von Roman. Oft sind die Täter selbst traumatisiert, wie etwa Norman Bates in „Psycho“ (Regie: Alfred Hitchcock, ). Manchmal verschwimmen im Spielfilm. Entdecke die besten Filme - Psychose: Der Maschinist, Schmetterling und Taucherglocke, Silver Linings, Pi, Batmans Rückkehr, K-Pax - Alles ist möglich.
Psychose Film Navigation menu VideoDOCUMENTAIRE SUR LE FILM PSYCHOSE Familienkomödie Liebesleid. Er lässt Geheimpapiere rauben und manipuliert den Verlauf der Börse. Ilse Eichenbrenner. Traurig 12/8/ · Psycho, Psiho, klasična srhljivka, cel film z angleškimi podnapisi. A young woman steals $40, from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother. Director: Alfred HitchcocAuthor: Extrasure. Psychose Streaming Vf. Psychose Streaming Vf, Film Streaming HD complet gratuit - Regarder Films Streaming gratuit, psychose ≡ film et série streaming complet en français. Psychose Streaming Vf, Film Streaming HD complet gratuit - Regarder Films Streaming gratuit. Two agents visited Leigh and told her the culprits had been located and that she should notify the FBI if she received any more letters of that Haarmasken Selber Machen. October 28, Smith Kevin Can Wait Besetzung Referenced in Rewind This! Milton Arbogast detective: We're always quickest to doubt people who have a reputation for being honest. Entdecke die besten Filme - Psychose: Der Maschinist, Schmetterling und Taucherglocke, Silver Linings, Pi, Batmans Rückkehr, K-Pax - Alles ist möglich. Menschen, die an einer Psychose erkrankt sind, müssen mit Vorurteilen kämpfen: Sie seien unzurechnungsfähig und gewalttätig. Die Berliner. Oft sind die Täter selbst traumatisiert, wie etwa Norman Bates in „Psycho“ (Regie: Alfred Hitchcock, ). Manchmal verschwimmen im Spielfilm. Für die Thematisierung der Psychose im Film ist sicher Hitch- cocks»Psycho«() ein signifikantes cineastisches Ereignis, aber auch die Filme von Roman. From Richard Attenborough as the real life Christie in "10 Rillington Place" to the hideous, unredeemable Christian Bale in "American Psycho". Here Hitchcock and Herrman create an universe that Anthony Perkins inhabits with the same kind of electricity, nerve and shyness that Norman Bates projects throughout the film. Lire le média Bande annonce originale du film. Psychose (Psycho) est un thriller horrifique américain en noir et blanc réalisé par Alfred Hitchcock, sorti en C'est son 47e long métrage, inspiré par le roman éponyme de Robert Bloch et dont le scénario est écrit par le jeune scénariste Joseph Stefano. Norman Bates is back again running his "quiet" little motel a month after the events in Psycho II. Norman meets three new people, one being a beautiful young nun with whom his budding relationship is beginning to make his "Mother" jealous. He also hires a young man in need of a job to take care of the motel. The film is also included on two different Alfred Hitchcock Blu-ray box-sets from Universal. On September 8, , the film was released on 4K UHD Blu-Ray as part of The Alfred Hitchcock Classics Collection, along with an individual "60th anniversary" Blu-Ray release as well. Norman Bates: [voiceover in police custody, as Norman is thinking] They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I.
Lila Crane John Gavin Sam Loomis Janet Leigh Marion Crane Martin Balsam Milton Arbogast John McIntire Sheriff Al Chambers Simon Oakland Fred Richman Frank Albertson Tom Cassidy Patricia Hitchcock Caroline as Pat Hitchcock Vaughn Taylor George Lowery Lurene Tuttle Chambers John Anderson California Charlie Mort Mills Edit Storyline Phoenix office worker Marion Crane is fed up with the way life has treated her.
Taglines: It's Back! Edit Did You Know? Trivia During pre-production, Sir Alfred Hitchcock said to the press that he was considering Helen Hayes for the part of Mother.
This was obviously a ruse, but several actresses wrote to Hitchcock requesting auditions. Goofs When Marion first gets out of her car and meets the salesman at the used car dealership, a crewmember is reflected in the car door.
Part way through the shot, he suddenly crouches down. Quotes Norman Bates : I don't set a fancy table, but the kitchen's awful homey. Crazy Credits Opening credits prologue: PHOENIX, ARIZONA FRIDAY, DECEMBER THE ELEVENTH TWO FORTY-THREE P.
Alternate Versions In the UK, the film was originally distributed by Universal Pictures and cinema and VHS releases replaced the Paramount Pictures logo with the Universal one.
DVD releases have the Paramount logo as seen in the US version. Was this review helpful to you? Yes No Report this.
Frequently Asked Questions Q: What precedent does this film have for the on-screen toilet? Q: How does the movie end?
Q: What's the purpose of the psychiatrist's scene? Edit Details Official Sites: Official Facebook. Country: USA. However, a freeze-frame analysis clearly reveals that it is Miles and not Leigh in the shower during the trailer.
CBS planned to televise the film on September 23, as an installment of its new movie night The CBS Friday Night Movies.
Percy , was murdered. As her parents slept mere feet away, she was stabbed a dozen times with a double-edged knife. In light of the murder, CBS agreed to postpone the broadcast.
As a result of the Apollo pad fire of January 27, , the network washed its hands of Psycho. Shortly afterward Paramount included the film in its first syndicated package of post movies, "Portfolio I".
WABC-TV in New York City was the first station in the country to air Psycho with some scenes significantly edited , on its late-night movie series, The Best of Broadway , on June 24, Following another successful theatrical reissue in , the film finally made its way to general television broadcast in one of Universal's syndicated programming packages for local stations in Psycho was aired for 20 years in this format, then leased to cable for two years before returning to syndication as part of the "List of a Lifetime" package.
The film was re-released to cinemas on September 20 and 23, , as part of the "TCM Presents" series by Turner Classic Movies and Fathom Events.
Psycho has been rated and re-rated several times over the years by the MPAA. Later, when the MPAA switched to a voluntary letter ratings system in , Psycho was one of a number of high-profile motion pictures to be retro-rated with an "M" Suggested for mature audiences: Parental discretion advised.
The film has been released several times on VHS , LaserDisc , DVD and Blu-ray. DiscoVision first released Psycho on the LaserDisc format in "standard play" 5 sides in , and "extended play" 2 sides in October In May , Universal Studios Home Video released a deluxe edition of Psycho as part of their Signature Collection.
This THX-certified Widescreen 1. A DVD edition was released at the same time as the LaserDisc. A version with extended footage of Marion undressing showing her taking off her bra , Norman cleaning up after the murder, and Arbogast's death in which he is stabbed four times instead of two has been shown on German TV, and was released there on VHS and Blu-ray.
For the DVD release, Laurent Bouzereau produced a documentary looking at the film's production and reception. Universal released a 50th anniversary edition on Blu-ray in the United Kingdom on August 9, ,  with Australia making the same edition with a different cover available on September 1, On September 8, , the film was released on 4K UHD Blu-Ray as part of The Alfred Hitchcock Classics Collection, along with an individual "60th anniversary" Blu-Ray release as well.
This release includes the extended footage from the German release, making it the first time that these scenes were presented to US audiences as Hitchcock intended.
Initial reviews of the film were mixed. While the film did not conclude satisfactorily for the critic, he commended the cast's performances as "fair".
Lejeune was so offended that she not only walked out before the end but permanently resigned her post as film critic for The Observer.
Critics from the New York Daily News , New York Daily Mirror , and Village Voice were positive: writing: "Anthony Perkins' performance is the best of his career Janet Leigh has never been better", "played out beautifully", and "first American movie since Touch of Evil to stand in the same creative rank as the great European films", respectively.
Mainstream audiences enjoyed the film, with lines stretching outside of theaters as people had to wait for the next showing.
This, along with box office numbers, led to a reconsideration of the film by critics, and it eventually received a large amount of praise. It broke box-office records in Japan and the rest of Asia, France, Britain, South America, the United States, and Canada, and was a moderate success in Australia for a brief period.
He then swapped his rights to Psycho and his TV anthology for , shares of MCA , making him the third largest shareholder in MCA Inc.
In the United Kingdom, the film broke attendance records at the London Plaza Cinema, but nearly all British film critics gave it poor reviews, questioning Hitchcock's taste and judgment.
Reasons cited for this were the critics' late screenings, forcing them to rush their reviews, their dislike of the gimmicky promotion, and Hitchcock's expatriate status.
Time magazine switched its opinion from "Hitchcock bears down too heavily in this one" to "superlative" and "masterly", and Bosley Crowther put it on his Top Ten list of The site's critical consensus reads: "Infamous for its shower scene, but immortal for its contribution to the horror genre.
Because Psycho was filmed with tact, grace, and art, Hitchcock didn't just create modern horror, he validated it.
In Psycho , Hitchcock subverts the romantic elements that are seen in most of his work. The film is instead ironic as it presents "clarity and fulfillment" of romance.
The past is central to the film; the main characters "struggle to understand and resolve destructive personal histories" and ultimately fail. The myth does not sustain with Marion, who dies hopelessly in her room at the Bates Motel.
The room is wallpapered with floral print like Persephone's flowers, but they are only "reflected in mirrors, as images of images—twice removed from reality".
In the scene of Marion's death, Brill describes the transition from the bathroom drain to Marion's lifeless eye, "Like the eye of the amorphous sea creature at the end of Fellini's La Dolce Vita , it marks the birth of death, an emblem of final hopelessness and corruption.
Marion is deprived of "the humble treasures of love, marriage, home and family", which Hitchcock considers elements of human happiness.
There exists among Psycho ' s secondary characters a lack of "familial warmth and stability", which demonstrates the unlikelihood of domestic fantasies.
The film contains ironic jokes about domesticity, such as when Sam writes a letter to Marion, agreeing to marry her, only after the audience sees her buried in the swamp.
Sam and Marion's sister Lila, in investigating Marion's disappearance, develop an "increasingly connubial" relationship, a development that Marion is denied.
He has "an infantile and divided personality" and lives in a mansion whose past occupies the present. Norman displays stuffed birds that are "frozen in time" and keeps childhood toys and stuffed animals in his room.
He is hostile toward suggestions to move from the past, such as with Marion's suggestion to put his mother "someplace" and as a result kills Marion to preserve his past.
Brill explains, " 'Someplace' for Norman is where his delusions of love, home, and family are declared invalid and exposed. Light and darkness feature prominently in Psycho.
The first shot after the intertitle is the sunny landscape of Phoenix before the camera enters a dark hotel room where Sam and Marion appear as bright figures.
Marion is almost immediately cast in darkness; she is preceded by her shadow as she reenters the office to steal money and as she enters her bedroom.
When she flees Phoenix, darkness descends on her drive. The following sunny morning is punctured by a watchful police officer with black sunglasses, and she finally arrives at the Bates Motel in near darkness.
Examples of brightness include the opening window shades in Sam's and Marion's hotel room, vehicle headlights at night, the neon sign at the Bates Motel, "the glaring white" of the bathroom tiles where Marion dies, and the fruit cellar's exposed light bulb shining on the corpse of Norman's mother.
Such bright lights typically characterize danger and violence in Hitchcock's films. The film often features shadows, mirrors, windows, and, less so, water.
The shadows are present from the first scene where the blinds make bars on Marion and Sam as they peer out of the window. The stuffed birds' shadows loom over Marion as she eats, and Norman's mother is seen in only shadows until the end.
More subtly, backlighting turns the rakes in the hardware store into talons above Lila's head. Mirrors reflect Marion as she packs, her eyes as she checks the rear-view mirror, her face in the policeman's sunglasses, and her hands as she counts out the money in the car dealership's bathroom.
A motel window serves as a mirror by reflecting Marion and Norman together. Hitchcock shoots through Marion's windshield and the telephone booth, when Arbogast phones Sam and Lila.
The heavy downpour can be seen as a foreshadowing of the shower, and its cessation can be seen as a symbol of Marion making up her mind to return to Phoenix.
There are a number of references to birds. Marion's last name is Crane and she is from Phoenix. Norman comments that Marion eats like a bird.
The motel room has pictures of birds on the wall. Brigitte Peucker also suggests that Norman's hobby of stuffing birds literalizes the British slang expression for sex, "stuffing birds", bird being British slang for a desirable woman.
Psycho has been called "the first psychoanalytical thriller. In , the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and was selected for preservation in the National Film Registry.
Psycho has appeared on a number of lists by websites, television channels, and magazines. The shower scene was featured as number four on the list of Bravo Network's Scariest Movie Moments,  whilst the finale was ranked number four on Premiere ' s similar list.
In , the Motion Picture Editors Guild listed the film as the twelfth best-edited film of all time based on a survey of its membership.
American Film Institute has included Psycho in these lists:. Psycho has become one of the most recognizable films in cinema history, and is arguably Hitchcock's best known film.
This played on his reader's expectations of traditional plots, leaving them uncertain and anxious. Hitchcock recognized the effect this approach could have on audiences, and utilized it in his adaptation, killing off Leigh's character at the end of the first act.
This daring plot device, coupled with the fact that the character was played by the biggest box-office name in the film, was a shocking turn of events in The shower scene has become a pop culture touchstone and is often regarded as one of the most terrifying scenes ever filmed.
Its effectiveness is often credited to the use of startling editing techniques borrowed from the Soviet montage filmmakers,   and to the iconic screeching violins in Bernard Herrmann 's musical score.
The scene has been frequently spoofed and referenced in popular culture, complete with the violin screeching sound effects see Charlie and the Chocolate Factory , among many others.
Philippe , was released on October 13, , including interviews with and analysis by Guillermo del Toro , Peter Bogdanovich , Bret Easton Ellis , Jamie Lee Curtis , Karyn Kusama , Eli Roth , Oz Perkins , Leigh Whannell , Walter Murch , Danny Elfman , Elijah Wood , Richard Stanley , and Neil Marshall.
Psycho is considered by some to be the first film in the slasher film genre,  though some critics and film historians point to Michael Powell's Peeping Tom , a lesser-known film with similar themes of voyeurism and sexualized violence, whose release happened to precede Psycho ' s by a few months.
Psycho has been referenced in other films numerous times: examples include the musical horror film Phantom of the Paradise ; the horror film Halloween which starred Jamie Lee Curtis , Janet Leigh's daughter, and Donald Pleasence 's character was named " Sam Loomis " ;  the Mel Brooks tribute to many of Hitchcock's thrillers, High Anxiety ; the Fade to Black ; the Dressed to Kill ; and Wes Craven 's horror satire Scream.
The film boosted Perkins' career, but he soon began to suffer from typecasting. One letter was so "grotesque" that she passed it to the FBI.
Two agents visited Leigh and told her the culprits had been located and that she should notify the FBI if she received any more letters of that type.
Leigh said, "no other murder mystery in the history of the movies has inspired such merchandising. In , it was adapted scene-for-scene into three comic books by the Innovative Corporation.
Three sequels were produced after Hitchcock died: Psycho II , Psycho III , and Psycho IV: The Beginning , the last being a part-prequel television movie written by the original screenplay author, Joseph Stefano.
Anthony Perkins returned to his role of Norman Bates in all three sequels, and also directed the third film. The voice of Norman Bates' mother was maintained by noted radio actress Virginia Gregg with the exception of Psycho IV , where the role was played by Olivia Hussey.
Vera Miles also reprised her role of Lila Crane in Psycho II. In , Gus Van Sant made a nearly shot-for-shot remake in color starring Vince Vaughn , Julianne Moore , and Anne Heche.
From Wikipedia, the free encyclopedia. This article is about the film. For the remake, see Psycho film.
For the sequels, see Psycho franchise. Anthony Perkins Vera Miles John Gavin Martin Balsam John McIntire Janet Leigh. Release date.
Running time. Play media. See also: Psycho franchise. July 21, Archived from the original on July 27, Retrieved August 18, Turner Classic Movies.
Retrieved April 25, June 22, Retrieved June 15, USC Dornsife. University of Southern California. Retrieved 17 June British Film Institute.
Archived from the original on January 16, Retrieved December 30, Box Office Mojo. Retrieved October 20, Il y a des finales qui sauvent leur film.
Secret de tournage. Laquelle, en l'ouvrant, poussa bien entendu un hurlement de terreur. Psychose a 60 ans! L'Exorciste, Hannibal ATTENTION, SPOILERS Si vous aimez ce film, vous pourriez aimer Le meilleur Hitchcock selon moi.
Le voir une fois est vraiment le minimum syndical! Je suis devenu aveugle. Et je dois dire que j'ai pris mon panard en regardant ce film.
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